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Posts Tagged ‘writing room’

Location, Location, Location

My kids breaking story around the Southland writer’s table

My kids breaking story around the Southland writer’s table

For the 5 years I was on “Law & Order: Criminal Intent”, whose stages and offices were at Chelsea Piers in Manhattan, my biggest complaint re location was that it was 4 long blocks to the nearest train. The Piers are as far west as you can go without needing a kayak and the closest street was the West Side Highway. After a long day at work, we’d have to walk two or more avenues before it was even worth sticking up our hands for a cab. And even farther to the A train. It seemed like such an inconvenience. Little could I have guessed that for my next job my commute home would be via the redeye from Burbank on JetBlue.

After my year off, I told my agent I wanted to staff again. With 3 kids, a stay-at-home husband and a mortgage, my personal hiatus turned out to be quite expensive. The job market in NYC for primetime dramas is intensely small. There were only one or two shows that had their writing staffs in New York, even though they were filmed here. This is the dirty little secret about shows set in New York. Most of them are written in Los Angeles. Current shows like “The Good Wife,” “Law & Order: SVU” (until recently), “CSI: NY,” “Gossip Girls,” “Royal Pains,” “White Collar,” “Castle,” etc may film on our local streets and avenues, but their writers are holed up in sunny offices on the Fox, Universal, Warner Bros or Paramount studio lots in and around L.A. “Mad Men” – so iconic in its portrayal of glamorous 1960-70s New York, is not only written but filmed on stages located in hardscrabble downtown L.A.

So, it became clear that I was going to have to take a job in that sunny city. Having lived in L.A. for that almost year I was on “The West Wing,” I knew it would always be a fun place to visit, but not where I wanted to raise my family. My reasons are completely personal to me and no offense to anyone who finds it a wonderful place to live. I just can’t deal with the idea of having two cars and driving everywhere. A cab ride home is a luxurious option on a lazy day, but no matter where I am in NYC I can always take the train. But when I was offered a job on the new NBC series “Southland” about the Los Angeles Police Department, I have to admit, I was thrilled. It was innovative, gritty, brash and totally compelling. I wanted in.

“Southland” had had a highly-acclaimed 6-episode first season and had been renewed for a second season with a “let’s give it a shot” 13-episode order and an option for the back 9. I watched the first season on my laptop in The Writer’s Room in Greenwich Village and was blown away. I then walked 3 blocks to meet “Southland” creator Ann Biderman at the Dean and Deluca on University Place. Ann is a longtime New Yorker despite spending lots of time in L.A., especially to research “Southland.” We had a great chat, interrupted a few times by Ann’s friends and neighbors saying hi, confirming plans to spend the weekend in the Hamptons. Two weeks later, I was sitting across from Ann in a conference room in John Wells’ office on the Warner Brothers lot in Burbank. Next to me were Robin Green & Mitchell Burgess, the husband-wife writing team, whose Village apartment was just blocks from Ann’s, and next to them sat Nathan Louis Jackson, fellow playwright and my Brooklyn neighbor. The irony! Here we were eating Poquito Mas takeout in the Valley on a staff that consisted largely of New Yorkers! (There were 2 other writers who were Angelenos). And you know I fantasized about how fabulous it would be if we were actually in some dank and dingy office in Chelsea or even Greenpoint, Brooklyn instead of the swanky environs we had in Burbank. But we were there for a variety of good reasons which ranged from access to the cops whose lives we were chronicling — to L.A. is where the studio and network wanted us. Funnily enough, we rarely went to set because with such a small staff we just didn’t have the time to produce our episodes. We were always either breaking story, writing an outline or writing one of many drafts of our episode (neither Ann nor John took showrunner passes. I would put a heart emoticon here if I were the emoticon type.)

Kids discovering the best kept secret of any t.v. show – the writer’s pantry

Discovering the best kept secret of any t.v. show – the writer’s pantry

My family came and spent July and August with me in a furnished sublet in Larchmont, but come September when it was back-to-school time, they went back to Brooklyn without me. I would fly home on the redeye Friday nights and fly back to Burbank on the first flight out Monday morning. It wasn’t pretty, but it’s what we did. That is, until I got a phone call from Ann one Thursday afternoon while I sat in my friend’s backyard writing the second draft of my second episode. I thought she was checking on me, making sure I was on track to turn it in on time. And the truth is, I was behind. Would have to pull an all-nighter to get it done. But Ann had something completely unexpected to say.