THE PALE BLUE EYE screening and Q&A with Scott Cooper

Event Details

Monday November 28, 2022 6:30 pm

The Whitby Hotel
18 W 56th St, New York, NY 10019

RSVP

Moderated by Tom McCarthy

West Point, 1830. In the early hours of a gray winter morning, a cadet is found dead. But after the body arrives at the morgue, tragedy becomes savagery when it’s discovered that the young man’s heart has been skillfully removed. Fearing irreparable damage to the fledgling military academy, its leaders turn to a local detective, Augustus Landor (Christian Bale), to solve the murder. Stymied by the cadets’ code of silence, Landor enlists the help of one of their own to pursue the case, an eccentric cadet with a disdain for the rigors of the military and a penchant for poetry — a young man named Edgar Allan Poe (Harry Melling).

Based on the novel by Louis Bayard, THE PALE BLUE EYE is written for the screen and directed by Scott Cooper and stars an acclaimed supporting cast, including Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Harry Lawtey, Simon McBurney, Hadley Robinson, Timothy Spall and Robert Duvall.

Written for the Screen and Directed by: Scott Cooper
Based on the book by: Louis Bayard
Produced by: Scott Cooper, Christian Bale, Tyler Thompson, John Lesher
Executive Producers: Tracey Landon, Dylan Weathered, Louis Bayard, Chris Sharp, Jennifer Lamb, Emily Salveson, Ryan Smith
Starring: Christian Bale, Harry Melling, Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Harry Lawtey, Simon McBurney, Hadley Robinson, Timothy Spall, Joey Brooks, Brennan Cook, Gideon Glick, Fred Hechinger, Matt Helm, Jack Irving, Steven Maier, Charlie Tahan and Robert Duvall

RUNNING TIME: 2 hours, 8 minutes
RELEASE: In select theaters: December 23, 2022; On Netflix: January 6, 2023

As a courtesy to the writer, please do not RSVP unless you can stay for the Q&A portion of this event.

Seating is limited and on a first-come, first-served basis. Please arrive at least 30 minutes early. Screenings are overbooked to compensate for no-shows. RSVPs do not guarantee seating, and no one will be admitted once the film has started.

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